The Project Runway Blog
Category: "kimberly goldson"
Home visits. The time when Tim Gunn can play detective and do some spying on our behalf to see how the finalists are doing with their collections. Gone are the days when Season 1 winner Jay McCarroll had a leisurely four months to stroll around his native Pennsylvania and ponder the meaning of life before starting his collection. This crew has a matter of weeks to figure out sketches, fabrics, styling, hair, makeup … well, you get it.
First up, Brooklyn … er, Maryland! (Or maybe she meant Brookland?) Kimberly is hard at work on some looks that I'm not completely sold on, but you can see she knows exactly who her girl is (as usual) and where she's going directionally. I'm distracted by the minty beverages her family is sharing with Tim at the dinner table, but glad to see she seems confident and hungry for Fashion Week.
Tim goes on his first international home visit to Anya's hometown via boat, yet lets me down by not wearing mandals with his suit like he did in Season 6 out in L.A. Speaking of being let down, Anya has either completely dropped the ball or really loves to procrastinate when she shows Tim a whole lot of nothing. No sketches, no garments. Just a bunch of fabric bolts and some muslin. Basically, she showed him Island Mood.
If you've ever seen Tim Gunn concerned or worried, which happens often on "Runway," I don't think we've ever seen him this concerned. At least in a scenario like Seth Aaron in Season 7, Tim was worried by 30-something garments that existed. Tim is worried by figments and hopes and dreams of what will walk down a runway in New York's Lincoln Center. This is DEFCON 1-level "This concerns me" territory.
Back on the mainland, Tim swings by Viktor's workspace to see quite the opposite: a lot of progress. Not only does Viktor have his most of his collection completed, he created his own fabrics from photographs he took with a deeply personal story behind them. And we see the beginnings of what looks like an amazing white leather jacket. (And we know how I feel about Viktor jackets!)
Final stop, is Joshua's home base in Queens. We learn that Josh was not kidding about his track star past in the New Balance challenge when we are blessed by several slow-motion stills of a longer-haired version of himself leaping in the air with wild abandon. Tim is back to his worrying ways when he looks as though he wants to light one of Joshua's fabric choices aflame to protect the masses. As more and more garments in the collection start failing the litmus test, Joshua realizes that he has some big changes to make in a hurry and needs to play to his strengths. Oh, and edit!
As the designers finally arrive to a swank penthouse as they settle in for Fashion Week, Tim announces that the designers must narrow down their collections to three looks that will convince the judges to send three (yes, three) designers through. (We knew there must have been a catch somewhere!)
Viktor, Anya, Joshua and Kimberly are eyeing each other's pieces around the room and one thing is clear: Anya is in trouble. Whatever "trouble" is expressed as a number, times 68, times infinity, TROUBLE. Her details are unfinished and the garments look as though they were a Summer Reading assignment done at 1:30am the night before the first day of school. Meanwhile, Viktor is playfully stroking the luxe pearls sewn onto his this-looks-like-you-need-a-black-AMEX-card-for-that leather jacket. The man is on his game, and on it big time.
Kimberly is trying to sort out which looks she should showcase for her mini-collection for the judges, and Joshua is smartly deciding to hold back his neon moments for a later time. Here goes nothing!
Anya is trying to put on a brave face as her fellow designers are clearly showing her up in the execution department as the clothes come down the runway. Heidi has been pulled into the tractor beam of Viktor's white leather jacket and may have to hope that he really does accept the the titanium black AMEX in her wallet because she doesn't want to give it back. Nina, however, remains laser-focused and questions the leather ode-to-zippers hula skirt on his other model. Michael is once again giving Viktor a hard time for his accessory choices (a pair of sunglasses? Really, MK?), but it's clear that Viktor is going through to the finale.
Joshua has smartly shown his more subdued moments from his collection and demonstrated that he has an eye for tailoring that he wasn't credited for enough during the challenges and is also put through.
Kimberly's big-butt bubble skirt and styling choices has put her into the danger zone, but it's clear that Anya's lack of sewing skills is screaming so loudly next to her, our final three are apparent. Or are they?
Surprise! All four go through!
Yes, yes. I know.
And for once, I actually agree with something Joshua said.
I’m the type of person who rises to the occasion when the finish line is in sight: finish strong or go home. With Fashion Week one challenge (and three looks) away, the designers FINALLY have the payoff for little sleep, close quarters and crazy challenges on the horizon, so why do I feel like everyone phoned this challenge in with just good work and not great work?
Anya, Laura Kathleen, Kimberly, Joshua and Viktor create three looks inspired by Governors Island, varying from sculpture to architecture, with the help of some blasts from the past: auf’d designers.
Becky would be my choice, based on her sewing skills alone, no matter how well I worked with someone in the gigbillionty team challenges of the past. The key to this challenge, and really the door to Fashion Week, was finding the best sewer/seamstress/patternmaker to help execute three cohesive looks to show the judges “I belong here.”
Kimberly’s three looks had something going for them in a big way: They were her point of view. You know a Kimberly look when you see it, and that has never been a question this whole season. She knows herself and she knows the woman she’s dressing. Whether or not that woman would be wearing all three of these looks, I don’t know, but it was enough to get her through. I was surprised she struggled so much with the jacket, considering she chose Becky to assist her.
Anya’s sculpture-inspired looks actually looked better on TV than in photo form. Being able to see them in motion on a body was the most appealing thing about them. They’re not flashy clothing; they’re thinking clothing. A smart woman who wants to look effortless, yet put some serious thought into her wardrobe, wears those clothes. As Michael mentioned, it’s good to see her varying from her vacation/resortwear and into another direction by this point. However, the velvet ropes to Fashion Week were lifted here in part thanks to Bert’s construction skills. He mitigated the snafus that plagued her in the previous challenge by helping her execute the looks she was envisioning. And, truly, their aesthetics are not dissimilar. They both love clean, simple silhouettes that have a big impact. But, Anya can out-style him any day, which is why she is as strong a competitor as she is.
Viktor made three totally fine looks, and as the judges mentioned, they would be on every shopper’s receipt if sold to the masses. But was this the “wow” moment we all know he’s capable of? No. He has proven to be so consistent this season and obviously knows his way around a sewing machine. We were missing the magic from the recipe, and that’s what he’s so good at. I hope to see that come back in his final collection — and some of those leather jackets and tailored moments he’s known for ... if only for my own selfish, closet-filling reasons.
Joshua’s white cocktail dress was the only look I appreciated from his mini-collection. And, really, when the finish line is that close, why send a look you’re admittedly not happy with down the runway? That “Peggy Sue Got Married” baton twirling dress had no business walking down the runway with the white cocktail stunner. Those two ladies would never sit at the same lunch table. His third look was way too Statue of Liberty for me, and the fabric choice was all wrong. But Joshua will ultimately get through because the man knows how to put on a show.
Laura Kathleen’s three looks had the opposite effect of Anya’s for me — they looked better in photos. Maybe I was sucked in by all of the mesmerizing circles, but it certainly made a loud statement. I think if she had more time to play out how she would create these pieces, we’d have a different final four.