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Season 12, Episode 13: Someone's Gotta Go

Posted By laurareineke 4:15am GMT

5 designers. $9000 each. Six weeks. Two last-minute challenges (an unconventional-materials look and a Tide-sponsored washable look). Four spots at New York Fashion Week. Let's do this.

This is a busy episode for Tim Gunn, who spends the first part of the 1.5 hour telecast jetting around the country to visit our designers and the second half with a bruised and battered face from an awful-sounding fall down a flight of subway steps. A moment of respectful silence for Tim, please. He's maybe one of the most selfless humans in all of reality television.

Dom - Tim heads first to Philadelphia to meet with Dom. Her print-heavy collection (which she's working on when she's not hosting at a local restaurant) was created under the influence of "Blade Runner" -- lots of greens and purples based off watercolor-and-ink pieces Dom created. The designs earn praise from Tim, though he's concerned at how behind she is in actually executing her looks. He helps her decide to use knits instead of silks and jaunts away.

Bradon - In Los Angeles, Bradon introduces Tim to his spring-inspired collection, on which he seems to be making decent progress. I admit to being a little perplexed at the mishmash of muted florals and metallic silky neutrals that seem to dominate Bradon's looks, but Tim is pacified. And then he's literally Pacif-ied when Bradon and his fiance Josh and their dog Eddie take Tim to the Pacific ocean! Ugh, that was an awful pun attempt. I apologize. Let's move on.

Alexandria - In San Mateo, Tim meets up with Alexandria. Her "neo-nordic" collection is based on her mantra of edgy, strong, and modern. She has boatloads of pieces (thirty, I think?) to show Tim, all of it muted but very detailed, with lots of separates for mixing and matching. She takes Tim to her super cool kids' sewing camp, Camp Couture, where he gets to see the hilariously on-point series of ugly dolls the kids made to resemble this season's "Project Runway" designers. (Timothy's is called Unicorn Doll, of course. Sue's has dreadlocks! They're fabulous.)

Alexandria's three looks are met with squeals of glee from Heidi (no surprise whatsoever on that front) for being accessible and cool. "I want to have all of this," she says. Zac calls the looks "luxe" and compliments the professional detailing as well as the individualism of Alexandria's three models. Nina is less impressed. "When you put a show for New York Fashion Week, these clothes are going to look like anything. Do you have the goods to present something wow?" And on closer look, Zac smartly observes that all the elements Alexandria has used are just a shorthand of what's cool at the moment.

Helen - Our tatted diva is camped out at her home in Union City, New Jersey, where Tim gets a sneak peek at her collection, which is based off the concept of clairvoyance and a blown-up photo of her boyfriend's eye. She's working with red, greys, and black, and focuses intensely on the cocoon cape concept that got her so far this season. "Where's the excitement?" Tim asks, and frankly that's a question that viewers have been asking of Helen for ages; her work is solid and wearable but seen in succession it's clear that Helen is a bit of a one-trick pony.

The looks she sends down the runway almost offend the judges. Nina and Zac slag on the "tortured" quality of her sleeveless print dress. "Spooky" and "contrived" are tossed out, too. The trio express surprise at the lack of easiness to these clothes, that the design seems forced, and poor Helen gets tongue-tied trying to explain herself. It's her worst crit yet. The consensus: Helen might be a little too young and a little too inexperienced to show a full collection.

Justin - Tim's off to Raleigh, North Carolina. Justin shows him the 3D printing machine that he's using to create accessories for his collection, which are meant to help illustrate his theme of sound waves. His collection combines greys and whites with hand-painted details and the aforementioned accessories.

Justin shows the judges a gown (his unconventional look), a shorter dress, and a pantsuit, which is wise: The judges appreciate the variety of silhouettes. Heidi and Zac frown at the wigs used on the models, and Zac also notes that some of the details need to be cleaned up, but along with Nina they seem very impressed by the cohesiveness and modernity of his looks.

Justin is tapped to move on. With the choice between Alexandria and Helen, the judges decide to allow Alexandria's more polished and interesting work through to Fashion Week. That means that after churning out competitive work all season, Helen is finally auf'd.

What say you? Are you surprised to see Helen miss the mark? Of our final four -- Alexandria, Bradon, Dom, and Justin -- who do you think will stand out the most at NYFW? Let me know in the comments before we head into our final episode!

Want a refresher on the season's winning looks? We've got a gallery ready for you right here.


Designers' Choice: Season 12, Episode 13

Posted By laurareineke 4:05am GMT

Exclusive! The Season 12 designers pick who they think had the Top and Bottom looks each week!

TOP Justin "3D: Very very cool. It is the future."
BOTTOM Helen "Looks appear stiff."

TOP Justin "Unconventional look is amazing."
BOTTOM Alexandria "Looks are too similar to each other."

TOP Helen "Most wearable."
BOTTOM Alexandria "No look stands out."

TOP Alexandria "Diverse."
BOTTOM Justin "Basic."

TOP Helen "Love the colors. She deserves it."
BOTTOM Alexandria "Wonderful designer, lacks respect."


Season 12, Episode 12: Butterfly Effect

Posted By laurareineke 4:48am GMT

It's the final countdown! We're down to Dom, Alexandria, Justin, Bradon, and Helen, who are whisked away by Tim to Sweetbriar Nature Center. Surrounded by butterflies, they learn about their next challenge from Billy B., L'Oreal's consulting makeup artist. Their task is to create an avant-garde look -- experimental, daring, cutting-edge fashion -- completed by hair and makeup by L'Oreal. Suggested budget: $500. 30 minutes to shop at Mood.

Midway through their workroom time, the designers are presented with an additional challenge. They have to choose one of the looks that got their fellow designers eliminated and rework it. "When the judges look at the transformed look," Tim says, "they have to believe that it came from this point of departure." The gang snaps up the looks they want. In a bold move, Justin decides to reinvent the look that got him eliminated originally. Helen grabs Kate's awful mess from last week and Dom picks Jeremy's misguided jacket-and-dress combo from the Belk challenge. Alexandria uses Miranda's plaid pegged pants and blouse. Meanwhile, Bradon picks Sue's unconventional-materials dress, then balks when he realizes how little fabric was actually involved in the original look.

Off to the runway, featuring guest judge Emmy Rossum:

Top Two
Bradon - He wanted to capture "the frantic energy of the silent but energetic butterflies" (okay) with ">this buttery soft midriff-baring white sculpted gown. The avant-garde look is totally up Nina's alley. "Every angle is an interesting angle!" she exclaims, clearly thrilled that someone remembered to make their garment editorial. Zac: "I went gaga for it, and I think Gaga would probably wear it." They're impressed by the level of detail. They love that it's a bit outlandish without being silly. The judges gush over the reworked dress, too. He wins the challenge, which automatically gives him a spot at Fashion Week.

Dom - This season's queen of patterns chose to mix a few different ones in tribute to the cross-breeding butterflies they encountered. The judges adore Dom's avant-garde look, and are even more excited when Dom reveals a low-backed jumpsuit underneath her structured jacket. "The World of Dom. I see a brand," Zac says before complimenting the way Dom breaks up prints. Emmy's so excited about the coat that she tries it on. Remembering how much they hated Jeremy's losing look gets the judges pumped about the changes Dom made to it. Dom's easily safe and through to NYFW.

Bottom Three
Alexandria - Her reworking of Miranda's losing pants-and-blouse combo gets mixed reviews. Surprisingly, Nina digs this one, specifically praising Alexandria's decision to lower the waistline of the pants. Heidi doesn't like that it seems like a punk costume. As for the avant-garde look? Heidi loves it, calling it goth and sexy, and Emmy appreciates the hand work and the intricate details. Nina's not a fan ("It's like the butterfly that got stuck in a spider's web") and Zac is pretty much over Alexandria altogether: "I can appreicate the different techniques that you work in; however, I don't find it that transporting or that magical or that beautiful. I think you're very talented but the looks were not successful for me today." I get the vibe that Heidi is the only judge keeping Alexandria around at this point. Your mileage may vary.

Justin - Justin was inspired by an albino butterfly for his avant-garde look, a black jacket over an intricate white dress. Nina says it's the best work she's seen from him all season. Zac is impressed by the "penne velvet cording" on the jacket, though he and Heidi both agree with Nina's earlier assessment that the details and finishes are a little on the messy side. They're also pleased with his reworking of the dress that got him eliminated originally. "It was hideous before," Heidi says, "but you've made this so sophisticated."

Helen - Based off a butterfly's fluttering wings, Helen's avant-garde look is a form-fitting orange gown. We've seen this shredded effect from Helen before, but not in a bright color like this. Zac: "It sort of felt like a carrot in the grater." Nina and Emmy also think the color is too much. The reaction is really sort of like a group shrug. But Helen remade Kate's losing look and the judges are really into it, way more so than the avant garde. They dig the simplicity and cleanliness of it. "Chic," "elegant," and "modern" are other adjectives thrown around.

It's that time again for our remaining designers to wax poetic to the judges about why they should move on to Fashion Week. There are a lot of tears! We've whittled the season down to a bunch of softies. Interestingly, none of the designers picks Alexandria as someone they feel should accompany them to the final round. (Dom, meanwhile, had everyone's vote.) During the judges' follow-up chat it's clear that my earlier vibe was right and that Heidi is really the only one on the panel still invested in Alexandria. It's sort of inevitable, then, that no one is eliminated this week. Dom and Bradon move through to Fashion Week, and Alexandria, Justin, and Helen are moved into a bit of a holding pen: They'll return home and build out collections as usual, but will then compete against each other for the remaining spot(s) alongside Bradon and Dom.

How do you feel about this week's looks? Whose reworked look most impressed you? How do you feel about the lack of an elimination? Which of our bottom three do you think will move forward? Let me know in the comments.


Designers' Choice: Season 12, Episode 12

Posted By laurareineke 4:05am GMT

Exclusive! The Season 12 designers pick who they think had the Top and Bottom looks each week!

TOP Justin "Amazing transformation. Would wear both looks."
BOTTOM Bradon "Bad reconstruction. First look drowns model."

TOP Dom "Fun and fabulous. New Betsey Johnson."
BOTTOM Helen "Neither look is as strong as it should be."

TOP Justin "Love the piping sculpture on the neckline."
BOTTOM Alexandria "Looks disjointed."

TOP Dom "Nailed it with the avant garde look. Amazing transformation on second look."
BOTTOM Alexandria "Great attempt but sloppy vision."

TOP Bradon "Love his first look. Fabric is beautiful."
BOTTOM Helen "Lacking inspiration in first look. Did not use any of original design on second."


Season 12, Episode 11: Printastic

Posted By laurareineke 4:44am GMT

Rob Le Bras-Brown, the Senior VP of HP Worldwide Marketing, accompanies Tim into the workroom at the top of the episode because it's the HP INTEL PRINT CHALLENGE! "I've been waiting to do [the HP Intel print challenge] since the beginning of this competition," Bradon says, and he's not the only one counting down to this moment. The print challenge has been a big deal since Mondo crushed it back in Season 8. This is for a couple reasons, I think. Making their own prints requires the designers to 1) use prints at all, which many avoid like the plague during the rest of the season; 2) think a little more adventurously about color; 3) get introspective about incorporating their personalities into their looks instead of just their aesthetic taste.

Le Bras-Brown fills them in on the twists and turns. The designers will be paired up with a group of next-generation thinkers and innovators who will serve as their muses. (Hear that? Not models, not clients: Muses.) The designers splinter off to meet their muses. The group includes Nigel Sylvester, a professional BMX rider (paired with Bradon); Ilana Greenberg, creative Director at graphic design mag GD USA (paired with Alexandria); Tiago Silva, executive pastry chef at Catch, a seafood restaurant in NYC (paired with Alexander); Maria Gonzalez, a 17-year-old who works with Girls Who Code, a nonprofit that teaches computer science skills to young women (paired with Kate); nonprofit co-founder and Miss USA 2012 Nana Meriweather (paired with Justin); Premal Sha, co-founder of crowd-funded lending network Kiva (paired with Dom); and Ryan Keeley, an abstract artist and photographer (paired with Helen).

Pretty standard workroom this week, save for Helen whining about how she's "not good at prints." The judges will be the judge of that! Along with guest judge, designer Peter Som. Runway time:

Top Three
Dom - Taking inspiration from the Internet's role in connecting people, Dom made a high-necked, long-sleeve sheath dress out of a white, black, and hot pink print comprised of dashed lines. "Runway ready," Zac says, complimenting the butterfly-like patterns on the arms; Nina likes that it's sort of tribal and very modern; Heidi throws down a lot of good adjectives including "dynamic" and "fashion-forward." Peter Som thinks it's sophisticated and blessedly un-costumey. Dom wins! Deservedly so.

Helen - A crop top and fitted skirt made out of paneled ivory fabric and Helen's starry print. Heidi likes that the print is sort of patriotic but nitpicks the fit. Peter Som calls it "Star-Spangled Hipster," which, yes. Perfect summary. Everyone is pleased that Helen decided to cut the garment into two sections instead of leaving it as a one-piece dress.

Bradon - Turning his muse's career as a BMX biker into a kinetic blue, black, and white print, Bradon made a bomber jacket over a form-fitting black dress with a removable neckline. Nina says it's sporty chic, comparing it to jazz music, and Zac goes so far as to call it Bradon's best work this season.

Bottom Three
Justin - Justin made a fitted bodice with a sweetheart neckline out of his X-ray-like print, then added a floor-length white skirt. Heidi's the first to call out the shoddy see-through construction where the skirt meets the bodice. Nina says she wishes it'd been a shorter dress: "From the waist up she looks fabulous and sexy. From the waist down it's just very drab." Peter Som loves the idea of the print but thinks something got lost in translation, and Zac echoes all these sentiments, saying that he would have preferred the print continue to the bottom instead of allowing the garment to look like a snake shedding its skin.

Alexander - "Even though I'm super gay I've never decorated a cake," Alexander says before introducing his cake-inspired open-backed brown dress with dolman sleeves and a white stripe accent (meant to play off the religious symbolism of his last name, Pope). Zac likes the cut of the dress but doesn't like how decidedly un-sexy the brown print is: "She looks like a cult leader. Of chocolate." Heidi thinks the white accent looks like masking tape and Nina takes issue with the seriousness and modesty of the garment. Alexander's out.

Kate - I quite like Kate and I've enjoyed her work this season, but this is objectively awful. I don't even know how to describe it. I guess it's a sleeveless collared belted dress made of sheer fabric gathered into pleated sections at the bottom, layered over her baby-blue print (which you can barely discern is a print). "Oh God," Nina sighs. She's overwhelmed by the pleats and confused by the belt. Peter Som nails it again: "She looks like she fell into a Kleenex box." Zac says it's sad.

Sometimes Heidi does a "One...OR MORE...people will be going home" fake-out, but unfortunately for Kate, this week's threat was 100% true. Kate gets auf'd for the second time. It's gotta sting to come back for a second round of "Runway" and make it so much closer to Fashion Week only to lose again, but aside from her tears Kate handles it well.

Onward we march toward the season's end. How do you feel about this week's double elimination? Were you as shocked as I was that Alexandria's look didn't land her in the bottom? Who are you most excited to see duke it out next week for the coveted Fashion Week spots? Let me know in the comments.


Designers' Choice: Season 12, Episode 11

Posted By laurareineke 4:09am GMT

Exclusive! The Season 12 designers pick who they think had the Top and Bottom looks each week!

TOP Bradon "Awesome jacket."
BOTTOM Kate "Little House on the Prairie threw up."

TOP Bradon "Wearable, fun, cool print."
BOTTOM Helen "Confused by entire design."

TOP Justin "Love the print. Looks like an X-ray in a fun way."
BOTTOM Alexandria "Print, silouette and construction are weak."

TOP Kate "Love the play on transparency."
BOTTOM Alexander "Didn't like the silhouette."


Season 12, Episode 10: Cranky Makeover

Posted By laurareineke 4:55am GMT

We open this week with Tim. He tells us that eight "Project Runway" super-fans have been flown in to have "the ultimate 'Project Runway' experience," which includes a tour of NYC and participation in this season's Real Women makeover challenge. We see Tim lead the women on a tour of the "Runway" facilities before introducing them to (and pairing them off with) our designers, who dive right in on creating makeover looks for their new clients.

Parameters: 2 full days to work! Hallelujah! Plus 30 minutes to sketch and a suggested budget in the $200-$400 range.

The women are so thrilled! They're thrilled to meet Tim, to work with the designers, to go to Mood. They're excited and eager and clearly loving every second, and their joy is contagious: The designers are dedicated to nailing the challenge and doing right by their fans. As a bonus for viewers, this is the first Real Women challenge I can recall that doesn't involve a designer passive-aggressively complaining about having to work with a woman larger than the usual size-0 models. High-fives for everyone.

But it's not all fun. Last week we heard Ken's mom ask him, "Has that 'other side' come out yet?" and this week we get another look at the dual personalities she was talking about.

Because of Jeremy's elimination, Alexander and Bradon pack up to move into Justin and Ken's room. But Ken, who clearly isn't hot on the idea of new roommates, blocks their entrance to the door, blithely taking his sweet time to iron a shirt. Alexander and Bradon ask nicely to be let in. Ken ignores them. Finally Alexander squeezes past, knocking the iron off the ironing board as he does: "I can throw drama, too, honey."

This sets Ken off on a rampage mightier and scarier than we've seen from him yet this season (and we've seen a few). Face slathered in a mud mask, he screams at the top of lungs to the crew about the inconvenience of changing his living arrangements. It's...uncomfortable. The next morning Tim mediates an apology session between Ken, Alexander, and the rest of the designers, but the alarming unpredictability of Ken's temper tantrums hangs over the rest of the episode.

Back in good-time land, the clients are getting buffed and polished, with brand new hairstyles and makeup courtesy of L'Oreal. Let's fast-forward to the runway, where our guest judges are designer Erin Fetherston and Marie Claire Senior Fashion Editor Zanna Roberts Rassi. (Nina's out this week.)

Top Three
Helen - A wallflower with wholly outdated style, Helen's client, Jamie, wanted an Oscars red carpet dress to match her drastic makeover. Helen made a silky navy blue dress with a sweetheart neckline, corset bodice, and gathered back. The sleek look earns raves. Helen wins for the...I've actually lost count how many times she's won now.

Bradon - His client, Jennifer, wanted to look "intimidating, powerful, and classy, with a major edge," so Bradon made a black sleevless v-neck dress with shiny details and a leather vest with an embellished shoulder. Zanna and Zac think the shimmery pieces on the dress might've looked better (read: more expensive) in leather, but that's the only criticism.

Justin - Justin's model had quite a list of requirements for her garment. It had to be modest, to respect her Mormon faith; fitted to flatter her figure, which has undergone fairly extreme weight loss; something personal, to reflect the uniqueness of her experience on the show. Justin rose to the occasion with a knee-length black dress featuring his model's signature sewn on the front, fitted underneath with a custom corset. The judges are impressed by the personal touch of the signature, and they love that he was able to incorporate all the model's requests in a good-looking garment.

Bottom Three
Alexandria - Super-fan Stephanie is a 20-year-old art history student who wants something to interview for jobs and internships in. Alexandria created a grey jacket and a printed skirt. The judges are bored and don't think the garment suits the model's age or interests at all. "It doesn't look hip or modern," says Heidi. "Maternity librarian," says Zac. "There's no visual impact," says Erin.

Alexander - For his client Alexander made a straight-up awful tan skirt-suit with black organza contrast details on the top. Zac dislikes the graphic breakup of the organza, Zanna thinks it's boring, and everyone comments on the horrible construction, which Alexander admits suffered because he didn't have enough time to finish properly.

Ken - To jazz up his stay-at-home-mom client, Ken put her in a green dress with leather accents. Heidi dislikes the placement of said accents and Zanna points out that it's not particularly well crafted. Heidi: "There's not much fashion here."

Annnnnd Ken is out. Alexander lets out a "Wow." when they tell him he's safe, and it's hard to blame him for being surprised. It is a bit bizarre that an unfinished garment sent down the runway this late in the season wouldn't get its designer sent home. That said, I'm sure the other designers breathed a great big sigh of relief at the news of Ken's auf-ing, too. The person who really needed a makeover this episode was cranky Ken.

What do you think? Should Alexander have been sent packing for his unfinished suit? Should Ken have been disqualified for his temper tantrum? Which client do you think received the best makeover? And as we near Fashion Week, which designers do you think will make it all the way? Chime in below!


Designers' Choice: Season 12, Episode 10

Posted By laurareineke 4:19am GMT

Exclusive! The Season 12 designers pick who they think had the Top and Bottom looks each week!

TOP Bradon "HOT."
BOTTOM Ken "Crazy! Duh!"

TOP Ken "Model was most enthusiastic."
BOTTOM Helen "Didn't invent a new look for her."

TOP Justin "Made her client feel like a million bucks!"
BOTTOM Alexandria "Heard she returned to work room after time was called."

TOP Justin "Love the signature on front of dress."
BOTTOM Alexandria "Dated/old/bad color combo."


Heidi Klum and Tim Gunn Win Emmy Award!

Posted By kim_messina 11:49am GMT

Heidi Klum and Tim Gunn at the 2013 EmmysAs if we needed confirmation that Heidi Klum and Tim Gunn know how to make it work! Yesterday the "Project Runway" hosts took home the 2013 Emmy award for Outstanding Host For A Reality Or Reality-Competition Program. "OMG, I am in a state of apoplexy! Love to everyone," Tim tweeted after their win. And Heidi echoed his sentiment, tweeting, "We won!!!!!!! yay!!!!!"

Send Heidi and Tim your congrats!

Photo: Mark Davis/Getty Images


Season 12, Episode 9: Belle of the Brunch

Posted By laurareineke 4:07am GMT

We're nine challenges in and the designers have wised up. When Heidi and Tim offer them a relaxed sit-down brunch, the gang immediately starts to brainstorm how it might tie in to their next task. "Do you think we're designing for a garden party?" "Mad Hatter's tea party." "Socialite women." "Maybe [the clients are] our servers." Tim finally clues them in: They'll be designing for the modern Southern woman, or more specifically, the Belk customer. The look can be for day or evening. 30 minutes to sketch, a suggested Mood budget between $200 and $250, and -- as usual so far this season -- they have a day to finish. The winning look will be sold in Belk stores and on belk.com.

"Southern" means different things to different people. Alexander, Alexandria, and Helen admit outright that they don't know who this customer is at all. On the other end of the spectrum, Dom and Ken feel self-assured since they both hail from Southern families. (Dom's family is from New Orleans; Ken's is from Birmingham, Alabama.) Dom and Ken roll their eyes at the stereotypical understanding of the South that their fellow designers latch on to. "Tim said to design for the modern Southern woman, not 'Little House on the Prairie,'" Ken says as Bradon, Alexander and Alexandria gravitate toward plaid fabrics and flouncy skirts. Dom agrees: "The women in my family? They're not going to throw some polyester plaid dress on. These aren't farm boys. They're people who live in cities."

Interestingly, the judges feel the opposite about the looks that are eventually sent down the runway. They dislike the bottom three -- Dom, Jeremy, and Ken -- so much that they send those designers back to the workroom for 60 minutes to either create a new look or alter the garments they've already made to better match the goal of the challenge. Twist! (Helen, Alexander and Kate are brought in as reinforcements, thank goodness.)

Our guest judges: Belk's Executive VP of Private Brands, John Thomas, and "Supermarket Superstar" host Stacy Keibler.

Top Three
Bradon - A sleeveless cotton shirtdress with a high-low hemline done in a sort of pastel madras plaid. The judges really like it, citing the sex appeal and modern feel of the silhouette as a huge plus. Plus it's made well. Bradon wins.

Kate - An empire-waist dress with cap sleeves in a bright orange, white, and pink print. Heidi thinks the model looks pregnant (no surprise -- she never seems to like empire waists, which do add volume to thin women but are usually very flattering on average- or plus-size figures) but Nina and Stacy both adore the colors and the print.

Alexander - A painted-plaid patterned handkerchief-hem dress with a sweetheart neckline at the fitted bodice. John and Stacy both love the way it moves on the runway. The bodice earns praise for being nicely constructed and the judging panel agrees that the overall look is fresh and young.

Bottom Three
Dom - Dom, frustrated with landing in the safe zone nearly every challenge so far, wants to show the judges that she's capable of making tightly designed, pattern-free work, so she sends this floor-length cap-sleeved purple and green gown down the runway. Nina is disappointed in the color and Zac just seems bored.

Heidi LOVES Dom's second, totally different look, an asymmetrically draped, flirty dress in a black and white pattern. Zac, Nina, and Stacy love its effortless style, and John Thomas loves it so much that he decides to produce it for Belk along with Bradon's. This means that Dom is a winner of the challenge, too. Yay Dom!

Ken - A floor-length deep purple racerback gown. Zac likes the color but calls the dress "a beautifully-cut purple nightgown." Heidi and Ken have a staring contest after she says she doesn't find the gown very flattering. John says he's seen the look before.

Ken's second look is a glammed-up version of his gown. He keeps the racerback, adds a drapy dolman sleeve, and shortens the length to make it more of a bodycon mini-dress. The judges are placated. Ken's safe.

Jeremy - A sleeveless, knee-length V-neck dress in a pink-hued floral print, paired with a red jacket. Heidi's quick to let Jeremy know that she finds it old and un-sexy. Zac is disappointed by the jacket. Nina hates the print. When he gets a closer look at it, Zac says, "It looks like a college fashion show in a non-metropolitan city," which I think sums it up: It's inoffensive, but absolutely been-there-done-that in terms of cut, fit and color choice.

Jeremy goes in the opposite direction with his new look, a bias-cut sleeveless beige dress. The judges appreciate that this look is considerably more youthful and brunch-appropriate but it's still a little too boring. Auf wiedersehen, Jeremy.(He takes the loss with a good attitude: "I get to see my kids...and I get to f***ing drink tonight!" Cheers.)

Were you as disappointed in the runway looks as the judges were? Did you think the new looks were an improvement for the bottom three designers? How well do you think the group captured the idea of the modern Southern woman? Let me know in the comments.